jueves, 23 de julio de 2020

Goat Semen "En Vivo En Lima Hell" Soul Erazer Records 2003




Live album
Release date: May 26th, 2017
Label: Soul Erazer Records


Tracklist:

1. Sodom Graves 04:59   Show lyrics
2. Madre muerte 04:48   Show lyrics
3. At Luzbel's Behest 03:51   Show lyrics
4. Death Will 04:18
5. Post-Armagedon 03:23
6. Apologia terrorista 03:46
7. Crucified Fucked and Forsaken 03:13
8. Warfare Noise 05:24   Show lyrics
9. Goat Semen 02:40   Show lyrics
10. Rotten Messiah 04:18
11. Sodom Graves   Show lyrics
12. Apologia Terrorista
13. Warfare Noise   Show lyrics
14. Oracle of the Sands


If you own a Goat Semen release, it's probably this one, thanks to actual distribution on the part of Displeased Records (no idea how Goat Semen stumbled into a deal with them, but there you go). It's an odd release by the label; honestly, it's an odd release in general. This sort of thing never gets a pro CD deal from a major label; I mean, a live album by a Peruvian black/death band with no prior full-lengths or really any attention from the scene in general? What miracle happened to these guys that allowed them the privilege?

There's a perplexing mix of styles on display here; plenty of this music is cut from the modern Blasphemy style of chaotic black/death metal, but there's also an edge of oldschool thrash and even traditional heavy metal as well. The mixture is odd but seemingly appropriate: the raw, primitive nature of the more extreme elements is tempered by the pacing and variation of the more traditional styles on display, making for what might be one of the most dynamic releases I've ever heard in this primitive black/death style. Slashing Black Witchery riffs are mixed with sudden falsetto screams ala Slayer or even Mercyful Fate, blast beats juxtapose with rhythms and riffs that could come from '84- there's a lot of influences and a lot of directions for this music.



The production is better than I'd expect from a Peruvian's band's live release- it's still not good, mind you, but better than I expected. It's clipped and cloudy but you can still hear everything pretty clearly, perhaps owing to the somewhat weird, early '80s guitar tone on display that lacks a lot of the modern bite and ultra-gain you'd expect from something like this. As for the songs themselves- well, I'm not sure they really matter. They're all rather similar to each other- chaotic black/death meets a love of the (surprisingly fun and bouncy) '80s- and this record really seems to be much more about a certain feel than anything, though certainly arrived at unintentionally. That being said, the songwriting is solid enough: I've managed to listen to this record all the way through more than five times, though my attention does waver periodically. This is hardly my thing, you know.



I suppose this has its place in the metal scene; it's probably the best Peruvian record I own, certainly, and I appreciate the enthusiasm and aggression behind the music. Oddly enough, the pair of studio tracks at the end of the disc are the weakest thing here, and not just because the first is instrumental. I have a feeling that Goat Semen is the sort of band that thrives in the live setting- the, I don't know, five people audible in the audience seem to agree- and for some reason being able to hear all the riffs in moderate clarity takes away from some of the energy. I think being drunk while listening to this would help too.

So yeah, if you think Hell's Headbangers is basically the greatest label in the world and dressed up as King Diamond for Halloween one time this is made for you.


miércoles, 22 de julio de 2020

Necrófago "Brutal Mutilation" (Nuclear War Now 2011)





Brazilian Metal band old school from Passos, Minas Gerais. Formed in 1986.
Release date april 11th 2011.

Tracks 1-3: "Brutal Mutilation" demo (1987)
Traclks 4-5: rehearsal (1988)
Tracks 6-10: Live in Uberlândia (1988)

Comes with fanzine-styled booklet and a poster.





Compilation

Brutal Mutilation Demo 1987
A1 Morbid Death
A2 Preachers Of Doom
A3 Devastation

Rehearsals 1988
A4 Morbid Death
A5 Bestial Curse

Live Uberaba 1988
B1 Preachers Of Doom
B2 Devastation
B3 Under The Guillotine
Written-By – Kreator

B4 Morbid Death
B5 Storm Of Terror
Notas
Black vinyl with gatefold jacket, A2 poster and zine booklet





sábado, 11 de julio de 2020

1994, El año del Black Metal.




En 1994 varios discos salieron al mundo para poner en órbita al Black Metal escandinavo, es el segundo movimiento del black metal, que tuvo su origen en Noruega y Suecia en los años 90.​ Este black metal daba el origen a discos que hoy se consideran clásicos y de culto para todos los fanáticos de ese radical subgénero. 

Aquí la lista de los discos que salieron en ese año:


Mayhem "De Miisterys Som Sathanas"



Burzum "Hvys Lissar Tar Oss"



Emperor "In The Nightside Eclipse"



Gorgoroth "Antichrist"



Satyricon "Dark Medieval Times"



Marduk "Opus Nocturne"



Darkthrone "Transylvania Hunger"



Gehenna "First Spell"



Enslaved "Vikingvlir Vledi"



Hades "...Against Shall Be"



Enslaved "Frost"



Ancient "Svartalheim"



Graveland "Carpathian Wolves"



Satyricon "The Shadowland"



Impaled Nazarene "Soumi Perkele Finland"



Behemoth "From The Pagan Vastlands"




Pandemonium "The Ancient Catatonia" Old Temple 1994




When speaking about such albums as “The Ancient Catatonia” I must go back first to the times, when I just started listening to metal – and that was around 1991. Back in those days the music market in Poland was still trying to build something after the communism’s fall in 1989 and there wasn’t anything like copyright law or something like that in the beginning. We – metalheads – have been then blessed by many pirate companies, which were copying hundreds of metal albums “from the West”; something what wasn’t given to the Polish metal fans in the 80’s. If one wanted to buy original version of the tape, licensed to Metal Mind for instance, he must have paid twice or three times as much as for those pirates, so basically every metalhead’s collection was filled with the “illegal” cassettes. So was mine. My first original tapes, which I have bought, were of the Polish bands, as these cassettes were not as expensive… So, I was really digging what Carnage Records or Baron Records have been releasing. Sure, many of these bands were not as good as those from US or UK, but that didn’t matter – I, as a 12-13 years old kid – had a chance to get to know some great music anyway, even if I had no idea what the underground actually was.


I remember I was listening to lot tapes, of bands like Betrayer, Hate, Christ Agony, Armagedon, Ghost, Vader, Quo Vadis, Violent Dirge, Hazael… and that was something great. Another name, which really became an integral part of my youth was Pandemonium and their “The Ancient Catatonia” cassette, which Baron has released in 1992. Arrghh, the music from this cassette was something way darker and sinister than anything else I have heard so far – I got to know them even before Samael! And I guess Pandemonium – along with Christ Agony and Taranis – was the first band, which could have been called black metal, which I have listened to in my life. That cassette, which I had back then, has been listened to so many times, that it basically was ruined after some time, so for many years I had no chance to hear “The Ancient Catatonia” – except a CDR copy, which someone did for me around 2003. I actually hoped a couple of years ago that I’ll have a chance to buy an original Baron CD version, but that turned out to be way too expensive for me. Later I hoped that if someone re-released “Devilri” demo on vinyl then “The Ancient Catatonia” will also get such an awesome treatment… but no. But my waiting has finally finished one morning, when I got an e-mail announcing that Old Temple will release “The Ancient Catatonia” again on CD!!!!!! Ha, I didn’t hesitate even for a second and putted my order for this album. Now I am listening to it over and over again and have that fleshback memory of my youth and all those good old days… and it feels like it was yesterday. But the greatest thing is that this music from “The Ancient Catatonia” hasn’t aged at all, it still sounds so wonderfully fresh and amazingly good… I have then no doubt that definitely this album belongs to the best materials ever recorded on the Polish territory. This is our classic!



I must say that Old Temple did a very good job with the re-release of “The Ancient Catatonia”. Not only the CD itself sounds just fantastic, but also the booklet looks great. It has the original lyrics plus some old photos… but it also contains quite few scans from the old Polish fanzines, which had interviews with Pandemonium. Similar thing has been done for the “Devilri” LP, actually, but it definitely is a great thing and a killer supplement to the music. OK, if anyone foreign will put his hands on this CD, he may feel a bit sad, as all interviews are in Polish, but who would care about that? If you cannot read anything and don’t wanna learn this language, then focus on the music!

Pandemonium has always been called “a Polish Samael”. When listening to “The Ancient Catatonia” one can surely hear why, as the atmosphere of the music is very similar to such cult LPs as “Worship Him” or “Blood Ritual”, so are some of the riffs, which are alike to the Suiss’ cult style, mainly focused on relatively slow or mid paced tempos, having this excellent hypnotic, almost trance feeling, when the songs are built by long, instrumental passages, played by guitars mainly (some additional instruments also appear, but rather sporadically) and then it turns out that sometimes the vocals are like an addition and you’ll almost not notice their presence, focusing on those riffs so much. I must say that I like it a lot, especially that the quality of these riffs and arrangements, as well as of all songs’ structures is just spotless… And as for those comparisons to Samael… well, there surely are many similarities, no doubt, but at the same time Pandemonium has also its original style, you’ll notice it when listening to “The Ancient Catatonia” carefully… The music is often more melodic and also the appearance of such additional instruments as violin or acoustic guitars gives it more personal touch. Besides, another obvious source of influence would I guess be Celtic Frost – just listen to “The Black Arts” and tell me what do you think… Meanwhile such “Winter” is probably the most atmospheric song of all, but its dark music doesn’t feel too soft or something, it is still a very good song. And “Different Part” is opened by the riff, which is a classic doom metal riff, originating in the good old Black Sabbath!



I must say that even if the whole album is quite long – with almost an hour of music – it doesn’t feel so and it definitely is nothing boring or monotonous. What’s more, I can call the experience of listening to this music as some sort of journey, where every next song is kind of new place to visit. But it is almost impossible to choice your favourites from it. For sure “The Majesty” stands above the rest of the material as one of the best songs, with some epic parts in it and great arrangements, which use violin here and there. But I honestly think that the whole material is just even and every song has something incredibly good to offer. No fillers here, only killers!



For the end I must also point out that the production of “The Ancient Catatonia” is just fantastic. It – just as the whole material – also didn’t age at all, still sounds really good and I think I can say that the sound of this LP is one of the best of all Polish releases of that time. It is clean and powerful, but at the same time it has a nice raw and harsh edge, what gives a killer effect and helps the music to achieve a dark and eerie atmosphere. In many ways “The Ancient Catatonia” is just a perfect record, really… I cannot see anything what would be done bad here, the music is perfect, the sound also, the whole artwork – ah just look at that killer logo and pentagram on it… and what about that evil looking Pazuzu figure (“…figure in black…” hehe) on the back cover? Fantastic stuff. I highly recommend you then getting this album right now, if you have a chance… and I hope that someone will think also about releasing its vinyl version at last!
Standout tracks: “The Majesty”, “Unholy Existence”, “The Black Arts”, “Winter”